Part 2
Another amazing new entry. This time, by two veterans in the industry – Robert Gruebel and Stephen Forsey, both from the famed house of Renaud et Papi. They began their work together on this project 4 years ago. The result is the remarkable twin axis tourbillon.
A large carriage is powered by the 2nd wheel and
revolves in 4 minutes. Inside the large carriage, with a diameter of about 15mm
is a smaller, second carriage. This carriage is inclined at a 30 degree angle
to the first, and revolved in 60 seconds. It carries the entire ecapement, free
sprung balance system with flat hairspring and Phillips terminal curve. Both
carriages comprise some 128 components, and together only weigh 1.17g.
The main
characteristic of the tourbillon is twin axis, and that they are angled at 30
degrees to each other. This angle was chosen to allow an acceptable depth to
the watch, and also, because of differential speeds of the carriages, will
cause the escapement to describe a conical shape over time. This ensures that
the carriage is never in one position relative to the ground plane reference
for more than one moment, and provides the balance the freedom from being
influenced by gravity.
The Double Tourbillon is driven by twin barrels, and has a
power reserve or 72 hours.
Interestingly,
JLC also released a twin axis tourbillon. The Gyrotourbillon had an impressive
looking cage, which emphasized the double axis even more.
Pictures do not do the JLC justice, but I attach one image
for reference. At their booth in SIHH04, they had an entire floor of
watchmakers, with microscopes, and on display was the gyrotourbillon in its
glory, spinning under microscope, a truly breathtaking view.
The tourbillon looks like a sphere, and extremely enchanting
to gaze.
JLC also found space to incorporate a perpetual calendar
with double retrograde date, retrograde leap year at the back of the movement,
and a running equation of time. I particularly liked the leap year indication
being placed at the back, as it is a function only used in setting the watch,
and once set, is typically forgotten.
Empowered with a movement which runs 8 days (originally, it
was designed for 150 hours – picture shows pre-release prototype), the caliber
177 is housed in an impressive platinum case, and subjected to the JLC Master
Control 1000 hour test.
The running equation of time itself demands more
exploration. A second minute hand, marked with a gold star shows the actual
solar time. A traditional equation of time mechanism shows the amount to add to
or subtract from present time to show accurate solar time. Blancpain also
premiered this running equation of time in BaselWorld this year.
For BaselWorld 2004, Patek Philippe again showcased a number
of smaller scale refinements. The new Patek Philippe 5135 features the patented
Annual Calendar function, but displays the date, day and moon in apertures
arranged on an arc between 10 and 2. I find this arrangement particularly
pleasing, and does not clutter the dial. The new automatic movement – caliber
324 is a self winding movement beating at faster 28,800 bph. The movement also
features the next generation balance wheel. The legacy two spoke construction
with 8 movable poising weights has been replaced with a four spoke wheel with 4
weights. The new design is said to improve torsional rigidity in the plane of
rotation and the smaller number of poising weights facilities simplicity in the
adjustment. Also the weights are recessed into the arms of the balance wheel,
providing some improvements in aerodynamics of the wheel.
The watch is housed in a tonneau case, which had drawn
either extreme criticism, or praise. Personally I like the case, and feel that
the play between the case shape, and the Breguet-style numerals at 3 and 9 and
appliqué gold arrow hour markers, the dauphine hands and small gold hand to
indicate the hours on a 24 hour dial are all very pleasing.
IWC had an
amazing year this SIHH. Not only did they introduce very interesting new
concepts to dive watches, but also a new tourbillon based on the Portugese
case, and also the watch that caught my eye – the new Portugeiser Minute
Repeater.
I have a love hate relationship with skeleton watches…while
I admire the workmanship of creating openings in the dial and the bridges; I
find these watches impossible to read. But here is a watch with a perfect
excuse…if you cannot read the time, you can always summon its gong to read it for
you.
This exquisitely skeletoned watch, in the always beautiful
Portugese case is a masterpiece in visual design. The dial is almost
non-existent…a vestigial comprising only of a ring showing the minute markers.
The beautiful pink gold swallow hands allow some contrast to the rhodium plated
movement…and permits some ability for one to read the time. And the gorgeous
repeater works, beautiful bridges, even more beautiful filigree work on the
bridges – the act of removing material for the sake of beauty and to expose
elements deeper in the movement, but without sacrificing any rigidity.
Beautiful. The repeater sound, though not the best I have heard, is quite
clear, with good tone, and though still a little soft, is not quite as muffled
as the regular IWC Portugeiser Repeater.
I was poking around the clock side of the exhibition in
BaselWorld, in between appointments, and amongst the usual Erwin Sattlers, I
spied a very handsome floorstanding clock with an unusual mechanism mounted at
12. In stepped a young man, no more than 25 years in my estimation, and asked
for permission to show me the clock. He proceeded to use a key, and stopped the
pendulum. And in a twist removed the contraption at 12 and handed it to me. On
my palm, the contraption continued to beat, like the heart. The young man
explained that he had made a tourbillon escapement for the clock, which is
removable, and it was indeed the entire tourbillon carriage, enclosed in
Perspex which rests on my palm. The tourbillon has sufficient internal power to
continue to beat outside of the clock for 50 seconds. A truly magnificent
piece.
The young man was M. Fuchs, and had served his
apprenticeship in IWC in 1999/2000. Remarkable!
Note: Pictures pending.
Ever since they introduced the LUC series watches in 1996,
Chopard has been a house to watch. They have reintroduced new watches with a
regularity which puts many other
important manufactures in shame. They quickly followed the LUC 1.96 with the
incredible 8 day 1.98, and then send another shock into the watchmaking world
with the very beautiful tourbillon. This year, they innovated on the 1.98
movement and improved their visual design and showed the very eye catching
Regulator shown left.
I particularly liked the YG version, with the attractive
black and silver dial, bold markers for the minutes, hours, and even the power
reserve. Very well balanced design.
This year, as usual, a small group of us were received personally
by Karl Fredrich Scheuefle. He had on his wrist the new Wings Tourbillon. He also gave us a sneak preview on next
year’s novelty – a new, ground up perpetual calendar, with a novel moonphase
indicator – one disk, printed with the image of two full moons sits below
another showing the sky from Geneva, and cut with a round aperture. The top
disk rotates at 29.5 days, and shows the age of the moon by revealing the disk
below. Very beautiful. Very novel.
© Peter Chong 2004